Today – WordPress New Version 3.5 Released

On December 11, 2012, WordPress Version 3.5, named for jazz drummer Elvin Jones, was released to the public. For more information on this enhancement and bug-fix release, read the WordPress Blog, and see the Changelog for 3.5. 

 

Highlights

• New Media Manager
  • Beautiful interface: A streamlined, all-new experience
  • Create galleries faster with drag-and-drop reordering, inline caption editing, and simplified controls
  • Insert multiple images at once with Shift/Ctrl+click

• New Default Theme – Twenty Twelve
  • Simple, flexible, elegant
  • Mobile-first, responsive design
  • Gorgeous Open Sans typeface
  • Uses the latest Theme Features

• Admin Enhancements
  • New Welcome Screen
  • Retina-Ready (HiDPI) Admin
  • Hide Link Manager for new installs
  • Better accessibility for screenreaders, touch devices, and keyboard users
  • More polish on admin screens, including a new color picker

• For Developers
  • WP_Comment_Query and WP_User_Query accept now meta queries just like WP_Query
  • Meta queries now support querying for objects without a particular meta key
  • Post objects are now instances of a WP_Post class, which improves performance and caching
  • Multisite’s switch_to_blog() is now significantly faster and more reliable
  • WordPress has added the Underscore and Backbone JavaScript libraries
  • TinyMCE, jQuery, jQuery UI, and SimplePie have all been updated to the latest versions
  • Image Editing API for cropping, scaling, etc., that uses ImageMagick as well as GD
  • XML-RPC: Now always enabled and supports fetching users, managing post revisions, searching
  • New “show_admin_column” parameter for register_taxonomy() allows automatic creation of taxonomy columns on associated post-types.

What’s New

Dashboard

• Switch to prompt text in QuickPress to accommodate longer translated input labels
• Button styles updated throughout Dashboard to more modern, rectangular shape
• Help Text improvements throughout

Posts

• Rename the “HTML” editor tab to “Text”
• Prevent child categories from being visually promoted to the top level after Quick Edit

Media

• Add oEmbed suport for SoundCloud.com, SlideShare.net, and Instagram.com
• New Media Manager: Insert multiple galleries per post and independently order images

Accessibility

• Add visible focus within admin screens for better accessibility.
• Add “Skip to content” link to all screens in the admin.
• Add “Skip to toolbar” accessibility shortcut in the admin.
• Add ability to log out of user account without mouse input.
• Add “tab out” of the plugins and themes editors textareas.

Links

• Link Manager is hidden for new installs and for any existing installs that have no links (all sites with existing links are left as is). This can be restored with Link Manager Plugin
• Display links in widget if no link categories

Appearance

• Widgets menu is hidden if your theme hasn’t defined any sidebars
• Improve display of available custom headers with jQuery Masonry

Plugins

• Plugins favorited on WordPress.org can be viewed per user and directly installed from within the Dashboard. (Marking plugins as favorite on WordPress.Org)

Users

• Display name defaults to first name and last name for new users
• Force the user to explicitly choose between content deletion and reassignment when deleting users

Settings

• Remove Settings Privacy Screen and relocate Search Engine Visibility option to Settings Reading Screen
• Remove oEmbed options from the Settings Media Screen. Width adheres to theme’s content width, height is 1.5 times width
• Enable XML-RPC by default, remove Writing Settings option
• Remove AtomPub from core, can be re-enabled with a plugin
• Hide charset option in Settings Reading Screen in new installs, default to UTF-8

Multisite

• Multisite installs now work with WordPress in a subdirectory
• Turn off ms-files.php by default
• File quotas disabled by default on new installs 

Related articles

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• 15 Useful, Little-Known WordPress Plugins to Add to Your Collection | RYP Marketing (rypmarketing.com)
• 10 Things You Need to Know About WordPress 3.5 (technosailor.com)
• WordPress 3.5 “Elvin” Released (wordpress.org)
• WordPress 3.5 brings new photo flow, mobile-first default theme, and Retina support (thenextweb.com)
• WordPress Reaches 3.5, Rides The Coltrane (thepowerbase.com)
• WordPress 3.5 Released (sucuri.net)
• WordPress 3.5 “Elvin” Launches With A Completely New Media Manager, Retina Support, Responsive Default Theme (techcrunch.com)
• WordPress releases latest WP version [WordPress 5.0] – [WordPress News] (bloggingmatters.net)

 

Today RAJINI’S BIRTHDAY 12-12-12

English: Rajinikanth at the audio release of Enthiran (Photo credit: Wikipedia)

Superstar Rajinikanth celebrates his 60th birthday today and he will be spending the day with his family. Rajini’s birthday is no less than a festival for his fans the world over.

It is reported that his family and close friends have organized a Shashitabadapoorthi puja (60th birthday celebrations) at the famous Tirukkadiyur temple near Tiruchi. However, it should come to no one’s surprise that Rajini’s fans will be lining up for special poojas and welfare activities for their favourite idol.

Shivaji Rao Gaekwad was on December 12, 1949 and had very humble beginnings. He served as a ticket collector in a local shuttle bus in Bangalore when he was discovered by the legendary K. Balachander who renamed him Rajinikanth.

The year has been exceptional for Rajini. Breaking all box office records Endhiran has emerged as the biggest hit ever. There have also been two new additions to his family. Daughter Aishwarya Rajinikanth, who is married to actor Dhanush gave birth to a baby boy and his other daughter Soundarya Rajinikanth got married to industrialist Ashwin Kumar.

selvabalaji.wordpress.com  wishes Rajinikanth a very happy birthday!

Related articles

• SUPERSTAR RAJINIKANTH – For the Day We Were Waiting 12.12.12 (ktrmurali.wordpress.com)
• Super Star is his First Name: Happy Birthday Rajinikanth (kanaamedia.com)
• ‘Rajinikanth: The Definitive Biography’ released next week (digitalspy.co.uk)
• It was a small role, but people would remember him (thehindu.com)
• Thumbing through the superstar’s life (thehindu.com)

 

Watch Thuppakki Movie Online HQ (youtube)

Vijay’s Thuppaki Review – First Day First Show Report

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One of the key reasons for Thuppaki’s sky high expectations is because the movie marks the beginning of Vijay’s strategy to working with top rung directors (barring Shankar’s Nanban which was a faithful remake of 3 Idiots). This is probably the best line-up of crew members and technicians for a Vijay movie. On the casting side, Kajal Aggarwal, Vidyut, Sathyan, Jayaram have provided the required support for Vijay to showcase his talent.  Does the script keep you engaged throughout the running time of 2 hour 45 minutes? Will Thuppaki uplift the festive mood this Diwali? Definitely, Yes.

The story opens in Mumbai with a bomb blast in a public bus. Jagdish (Vijay) is on a mission to find the terrorist gang and people behind the blast. There are twists and unexpected turns along the way. The story has enough ammo to fire up Vijay’s fan base.

Thuppakki is Vijay; Vijay is Thuppakki

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Vijay has carried the movie from start to finish with his self-assured confidence and trade-mark style. The script makes frequent switch-overs from intense sleeper cell scenes to commercial love/comedy scenes. Vijay was able to make some bumpy transitions look convincing with his acting abilities. As always, Vijay dances effortlessly and comedy comes to him naturally. Vijay’s costumes, pleasant looks and mischievous expressions will surely win him more female fans. Vijay looks fit and younger in his toned muscular physique.

Story, Direction and Screenplay

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AR Murugadoss’ engaging story is narrated in gray tones balanced with commercially colourful compromises. The movie may have minor similarities to Ramana which has worked out well again. Murugadoss has done his homework by consulting ex-CBI chief Karthikeyan and the details are blended in nicely while dumbing it down for audience. AR Murugadoss has intentionally slowed down the pacing and narration in critical scenes (e.g., Hospital security chief conversation in the terrace) to get the message across. The dialogues about common people’s (un)willingness to put their life at risk to fight terrorism are well written and delivered by Vijay. Also, the hero putting his sister in a high-risk operation provides the impetus and emotional connect with the audience.

It is interesting to note that the villain (Vidyut) tracks down the hero instead of other way around, which is usually seen. Another aspect which is told subtlely is Vijay’s undercover act passing off as a common man similar to the way terrorist sleeper cells operate. Vijay’s exterminating the sleeper cell operations in Mumbai is not revealed to his lover, family or others (except his cop friend Sathyan). This aspect could have been underlined a bit for additional impact and stronger appreciation for Jagdish’s character.

The love/comedy scenes and songs definitely stick out like sore thumb since they are not integrated well with the story line. It is understandable why AR Murugadoss had to make these compromises. We are pointing this out without really complaining since such intrusions have become essential to satisfy the fan base and common audience with diverse set of expectations.

Highlights 

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• Stylish portrayal of Vijay in anti-terrorism operations have a perfect closure with mass elements. For instance, scenes such as simultaneous execution of 12-for-12 sleeper cell killings at precisely the same minute, sister rescue scenes with sniffer dog, and the final scene where he symbolically blows up the ship with his hand gesture and subsequent punch dialogue before villain killing are sure treats for fans.
• AR Murugadoss seems to have taken a tip from his association with Aamir Khan in Ghajini Hindi remake. Upon Aamir’s insistence, some emotional scenes involving Asin’s memory were added after climax action sequences in Hindi version. AR Murugadoss has used similar finish in Thuppakki giving a nice emotional touch and meaning to the movie by extolling the virtues of army.
• Kajal has done her role exceptionally well in perking up the lighter moments with her expressions, dance moves in songs and chirpy love scenes laced with humour. Kajal has good scope in both “Antarctica” song (interesting concept) and “Alaika Laika” (showcasing her dance moves). Kajal’s presence enlivens the scenes and songs for people looking for relief from action scenes.
• Santhosh Sivan‘s Cinematography and Sreekar Prasad‘s editing keep the narration tight despite relatively long running time. The candid capture of Mumbai adds to the style and character of the city. Santosh’s fast working style is critical to the successful shooting of scenes in real locations in Mumbai. Harris scores big in the final minutes with his song (“Poi Varavaa“) dedicated to army jawans which is sure to leave a lump in your throat. Harris’ BGM keeps up the pace and makes the operations look convincing with his theme track.

What could have been better?

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• Song picturizations look low-budget. Almost 4 out of 5 songs solely rely on Vijay’s dance moves, which gets a bit repetitive for general public. AR Murugadoss and Santhosh Sivan have pulled out some of the old tricks of picturizing the songs in big stadiums, by using bright incandescent lights in the background to make it look richer. Vijay’s introduction song “Kutti Puli Kootam” and opening fight scenes are speed breakers right after the word “go”.
• Screenplay could have been tighter. Even though the individual scenes were riveting, the bigger purpose required to latch the audience interest lacks full conviction. The objective of killing the head of sleeper-cell (Vidyut) lacks macro-connection resulting in lack of depth for Vijay vs Vidyut’s clash. Some of the lengthy climax fight sequences in the ship could have been trimmed. The final 10+ minutes of man-to-man combat scenes with Vidyut led to some chatter among audience.

Bottomline

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With right promotions and word of mouth reaching out to neutral and family audience, Thuppakki is well positioned to get tagged along with Ghilli and  Pokiri.

Reviewer Rating – 

 

Billa II – Teaser Promo

Ajith is back with Billa II after the successful 2007 flick Billa which was directed by Vishnuvardhan. Expected to release on 25th May, Billa II is supposed to be a prequel to Billa ( unlike Don-2 which was a sequel ) and talks about how David, an ordinary man from coastal Tamil Nadu becomes the dreaded don Billa. Directed by Chakri Toleti  and also starring Parvathy Omanakuttan, Bruna Abdullah, Vidyut Jamwal and Sudhanshu Pandey in supporting roles who all make their debut in Tamil cinema, the film has music by Yuvan Shankar Raja and R.D.Rajasekharis the DOP.

Expected to be the big ticket summer Tamil release, watch this interesting teaser for now.

7Am Arivu Movie Review.

Image via Wikipedia

ஏழாம் அறிவு திரைவிமர்சனம்:

சூர்யாவின் அசத்தலான நடிப்பில் நடிப்பில்  எ.ஆர்.முருகதாஸ்சின் அதிரடி இயக்கத்தில் உதயநிதி ஸ்டாலின் தயாரிப்பில்  வெளிவந்திருக்கும் இருக்கும் படம் தான் இந்த ஏழாம் அறிவு.

தமிழ் சினிமா இதுவரை பார்காத திரைகளம் இது வரை பார்காத ஆக்சன், இதுவரை பார்காத  தொழில்நுட்பம் என இதுவரை அனுபவிக்காத ஒரு அனுபவத்தை தந்து இருக்கின்றார் நம்ம  எ.ஆர்.முருகதாஸ். படம் ஆரம்ப முதலே பரபரப்பு. அதுவும் முதல் அந்த பதிநைந்து நிமிட  காட்சிக்கு நாம் படத்திற்கு குடுத்த பணம் முடிந்துவிட்டது.

பலமான படத்திற்கு பலமே அதில் நடித்த நடிகர்களின் நடிப்பும் அவர்களின் ஈடுபாடும்  தான். அதிலும் சூர்யாவின் நடிப்பு நாம் எதிர்பார்காத ஒன்று. இத்தனை ஈடுபாட்டுடன்  ஒரு நடிகன் அதுவும் தனது 26வது படத்திலே ஒரு நடிகனால் நடிக்க முடியுமா? என வியக்க  வைத்திருக்கின்றார்  மனுஷன்.

இரட்டை வேடம்: சர்கஸ் நாயகன் மற்றும் குங்பூவை உருவாக்கிய ஒரு துறவி என இரண்டு  சவாலான கதாபாத்திரம். இரண்டிலுமே மனதில் நிற்கின்றார் நம்ம சூர்யா.

அதுவும் அவருடைய அந்த குங்பூ சண்டை தமிழ் சினிமா வரலாற்றில்  சண்டைகாட்சிகளுக்கெல்லாம்  முன் மாதிரியாக இருக்க போகின்றது.

கலக்குங்க சூர்யா…. இனி ஒரு வருடம் உங்கள் நடிப்பைதான் தமிழ் சினிமா பேச  போகின்றது.

அப்புறம் அறிமுக நாயகியாக ஸ்ருதி கமல் ஹாசன். தமிழில்தான் இது இவருக்கு முதல்  படம். அதனை உணர்த்துவது போல் அழகான அளவான நடிப்பு. கமல் ஹாசன் நிச்சயம் பெருமைபட்டு  கொள்ளலாம்.

அப்புறம் அனய்யா இரண்டாவது சூர்யாவுக்கு ஜோடியாக வருகின்றார். மனதை விட்டு  மரையாத கதாபத்திரம் அவங்களுடையது.

வில்லனாக வரும் அந்த ஹாலிவுட் நடிகர் யப்பா சண்டை காட்சிகளில் அப்படி ஒரு  ஆக்ரோஷம். சண்டை கட்சிகள் உயிரோட்டமாக அமைந்ததற்கு இவருடைய பங்களிப்பு ஒரு முக்கிய  காரணம்.

ஹாரிஸ் ஜெயராஜின் இசையில் ஏற்கணவே பாடல்கள் ஹிட்டாகி விட்டன. பின்ணணி  இசையிலும் மிரட்டி இருக்கின்றார். ஆனால் ஏற்கனவே கேட்ட பீலிங் வருவதை தவிற்க்க  முடியவில்லை.

இப்படி ஒரு கதையை யோசித்தற்காகவே எ.ஆர். முருகதாஸ்சை எவ்வளவு வேண்டுமானாலும்  பாராட்டலாம்.
தமிழர்கள் எல்லாம் பெருமைபட கூடிய வகையில் ஒரு படத்தை தந்ததற்காக  ஒரு மிக பெரிய சல்யூட்.

தாங்ஸ் முருகதாஸ்.

கதையை கூறிவிட்டால் படதின் சுவாரஸ்யம் குறைந்துவிடும் என்பதால் அனைவரும் படத்தை
திரையில் பார்த்து தெரிந்து கொள்ளவும்.

நான் இந்த படத்தை இரவு 2:30 மணி ஷோவில் வீட்டில் இருந்தவாறு டிரீம் லாண்டில்
(அதாங்க கனவு) பார்த்து ரசித்தேன்.

படத்தை பற்றிய என்னுடைய கமெண்ட்: தமிழ் சினமாவின் இரண்டாம் அத்தியாயத்தை தொடங்கி
வைத்திருக்கின்றார் எ.அர்.முருகதாஸ்

விமர்சனம் பிடித்து இருந்தால் தயவுசெய்து  உங்கள் ஓட்டை பதிவு  செய்யவும்.

உங்கள் கருத்தை ஆவலுடன் எதிர்பார்கின்றேன்

தங்கள் வருகைக்கு நன்றி

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Top 10 Tamil Actor survive

Image via Wikipedia

டாப் 10 தமிழ் நடிகர்கள்: ஒரு அலசல்:

முதலில் எனது எந்த வலையுளகிற்கு வருகை தந்த
உங்களுக்கு எனது நன்றி கலந்த  வணக்கங்கள். எனது இந்த பதிவு பிடித்தாலும் பிடிக்காவிட்டாலும்,மாற்று கருத்து  இருந்தாலும் தயவுசெய்து பின்னூட்டம் இடவும் என தாழ்மையுடன் கேட்டு  கொள்கின்றேன்.

பொதுவா எனக்கு சினிமா சம்பந்தமான பதிவு எழுதுவதில் அதிக ஆர்வம் கிடையாது. ஆனால்  சினிமா அதிக அளவு வாசகர் வட்டம் கொண்டது என்பதால் அது தவிற்க முடியாததாகின்றது.

சரி விஷயதுக்கு வருவோம்: இந்த போட்டியில் ரஜினியையும் கமலையும்
சேர்க்கவில்லை.  ஏன் என்றால் அவர்களையும் சேர்த்தால் முதல் இரண்டு இடத்திற்கு
போட்டிகள் இருக்காது.அவர்கள் இரண்டு பேரும் எப்போதும் நம்பர் ஒன்.

10வது இடம் ஜெயம் ரவி: ஜெயம் படத்தின் மூலம் அமர்களமாக அறிமுகமாகி சன் ஆப்
மகாலச்சுமி என அடுத்தடுத்து இரண்டு ஹிட் படங்களை கொடுத்தவர். வேறு  இயக்குனர்களின் படங்களில் இவர் நடித்த படங்கள் சரியாக போகாத நிலையில் பேராண்மை மற்றும் சந்தோஷ்  சுப்ரமணியம் ஆகிய படங்கள் இவரை தூக்கி நிருத்தியது. நல்ல நடிகர். டான்ஸ், சண்டை  காட்சிகள், ரொமான்ஸ் என சகல துறைகளிலும் அசத்துவார். இவர் படங்களை குடும்பத்துடன்  சென்று பார்க்கலாம் என்பது இவரின் சிறப்பு. அதிக பெண் ரசிகர்கள்  கொண்டவர். இவரின் குடும்பமே சினிமா துறையில் உள்ளது இவரின் கூடுதல் பலம்

குறிப்பு: இவரை விட அதிக ஹிட் படங்களை கொடுத்த நடிகர் ஜீவா டாப் 10
நடிகர்கள் பட்டியலில் இல்லை என்பது எனக்கே கொஞ்சம் வருத்தமாக
இருக்கின்றது.(ராம்,டிஷ்யூம்,கற்றது தமிழ்,சிவா மனசுல சக்தி,கோ)

9வது இடம் புரட்சி தளபதி விஷால்: இவருடைய பட்டத்தை பார்த்தாலே பத்திகிட்டு
வருது. புரட்சி என்பதன் அர்த்தமே போய்விட்டது. பேர் சொல்லுர மாதிரி ஒரு படமும்
கொடுக்கவில்லை(அவன் இவன் தவிர). ஆனாலும் இவர் படத்துக்கு கமர்சியல் மதிப்பு இருப்பதாக  கூறிகொள்கின்றார்கள்.எனக்கு என்னமோ அப்படி தெரியவில்லை. இவர் நடித்ததில் எனக்கு  பிடித்தது செல்லமே,சண்ட கோழி,அவன் இவன் மட்டுமே. நல்ல நடிகன் மாதிரிதான் தெரியுது  ஆனால் மாஸ் என்கிற போதையில் தடம் மாறுவது போல் தெரிகின்றது. டாப் 10னில் நீடிக்க  வேன்டுமானால் நல்ல கதைகளை தேர்வு செய்ய வேண்டியது அவசியம்.

அவன் இவனுக்கு முன்னாடி இவர் நடித்த மூன்று படமும் படு தோல்வி.

8 வது இடம் ஆர்யா:
தமிழ் சினிமாவில் தற்போதைக்கு ஈகோ பார்காத நடிகர்.  பாலாவின் நான் கடவுள் மூலம் மறு அவதாரம் எடுத்துள்ளார். மதராஷ பட்டினம்,பாஸ் என்கிற  பாஸ்கரன் அவன் இவன் என தொடர்ந்து ஹிட் படங்களை கொடுத்துள்ளார்.இவரின் திறமையை இவர்  இன்னும் சரியாக பயன்படுத்தவில்லை என்றுதான் தோன்றுகின்றது.

இனிமேல் தான் இவருக்கு உண்மையான போட்டியே இருக்கின்றது.

நடித்ததில் பிடித்தது: நான் கடவுள், மதராச பட்டிணம்,பாஸ் என்கிற
பாஸ்கரன்,அறிந்தும் அறியாமலும்,அவன் இவன்.

7வது சிம்பு என்கிற S.T.R:

எனக்கு சுத்தமா பிடிக்காத நடிகர் வானத்துக்கு முன்னாடி வரையும்.வானம் படம்
பார்த்தவுடம் அவர் மீது ஒரு நல்ல மதிப்பு வந்தது உண்மை. அது நீடிக்குமா? நீடிக்காதா
என்பது இனி வரும் அவரின் படங்களை பொருத்து. இவர் படம் தானாக ஒடுனதைவிட ஓட வைக்கபட்டது என்பதே என்னுடைய கருத்து.இவருடைய உண்மையான ஹிட் விண்ணைதாண்டி  வருவாயா தான்.அடுத்து வந்த வானமும் ஹிட் என்பதால் இனி வரவுள்ள இவரின் படங்களுக்கு  எதிபார்ப்பு கூடி இருக்கு.இவர் தனது படங்களுக்கு நல்ல பப்ளிசிடி தேடி கொள்வதில்  திறமையானவர்.

திறமையானவர் தான் ஆனால் இவரும் மாஸ் போதையில் அலைவது தான்  வருத்தமான விஷயம்.

சமீப காலமாக அஜித் ரசிகர்களை தன் பக்கம் இழுக்க  குறிவைத்துள்ளார்.அஜித் ரசிகர்களே ஜாக்கிரதை…..

6வது இடம் தனுஷ்:
நல்ல வேலை இவருக்கு பட்டங்கள் எதுவும் இல்லை.இவரின் வெற்றி  இவரே எதிர்பாராதது.ஆனாலும் கிடைத்த வெற்றியை திறமையாக தக்க வைத்து  கொண்டவர்.
முதல் மூன்று படங்களுமே அதிரி புதிரி வெற்றி…இடையில் சின்ன  சறுக்கம் ஆனாலும் பொல்லாதவன் மூலம் மீண்டு வந்தார்.திறமையான நடிகர் மிகவும்  இளவயதில் தேசிய விருது பெற்றிருக்கிறார்.வாழ்த்துக்கள்.

இவர் சிம்புவுக்கு  போட்டி என்றாலும் ஹிட் பட வரிசையில் இவர்தான் டாப். இவர் நடித்த நல்ல கதை அம்சம்  உள்ள படங்கள் எல்லாம் நன்றாக ஓடின ஆனால் மசாலா படங்கள் அனைத்தும் சுமாரான வெற்றியே  பெற்றன.(திருவிளையாடல் தவிர)

இவர் நடித்ததில் எனக்கு பிடித்தது    :துள்ளுவதோ இளமை,
காதல்  கொண்டேன், பொல்லாதவன், ஆடுகளம், திருவிளையாடல் ஆரம்பம்.

5வது இடம் கார்த்தி:
ரொம்ப சீக்கிரத்திலேயே டாப் 10னின் இடம் பிடித்த  நடிகர்.இவர் நடித்த படங்கள் அனைத்துமே பாக்ஸ் ஆபிஸ் ஹிட்.கார்த்தி என பெயர்  வைத்ததால் என்னவோ நவரச நாயகன் கார்த்திகிற்கு பிறகு ஒரு துள்ளல் நடிப்பும் நல்ல காமெடி டைமிங்கும் இவரிடம் இருக்கின்றது. சிறப்பாக கதையை தேர்வு  செய்கின்றார்.தனது ஐந்தாவது படத்திலேயே இரட்டை வேடம் ஏற்று வெற்றி பெறவும்  வைத்தவர்.

நல்ல எதிகாலம் இருக்கின்றது.தனது இடத்தை தக்க வைக்க கடுமையாக உழைக்க
வேண்டும்
நடித்ததில் பிடித்தது: எல்லா படமும் பிடிக்கும். அனைத்தும் வெவ்வேறான  அனுபவங்கள்

4வது விக்ரம்:
வியக்க வைக்கும் உழைப்பு,விடாமுயற்சி, தன்னம்பிக்கை, இவை  இணைந்ததுதான் விக்ரம்.வியக்க வைக்கும் நடிகர் தனது அயராத உழைப்பின்  தமிழ் சினிமாவில் தனியிடம் பிடித்திருக்கின்றார். பீமா, கந்தசாமி,இராவணன் போன்ற  தொடர் தோல்விக்கு பிறகு ஒரு கமர்சியல் சினிமா நடிக்காமல் தெய்வ திருமகளில் நடித்த  அவரின் துணிச்சல் பாராட்ட பட வேண்டியது.தமிழ் சினிமாவில் இவருக்கான அங்கிகாரம்  சற்று குறைவு என்றுதான் எண்ணுகின்றேன்.

தமிழுக்கு சிறந்த நடிகனாக தேசிய விருது பெற்று தந்திருக்கின்றார்.இவர்  நடிக்கும் படங்கள் தரமானவை என நம்பி செல்லலாம்.தொடர்ந்து தமிழுக்கு நல்ல  படங்கள் கொடுப்பார் என நம்புவோம்.

நடித்ததில் பிடித்தது: சேது,காசி, தில், தூள்,அன்னியன்,சாமி,மஜா(எனக்கு பிடிச்சு
இருந்தது)மற்றும் தெய்வ திருமகள்.

3வது  இளைய தளபதி விஜய்:

விஜய் ரசிகர்களுக்கு இது கோபத்தை ஏற்படுத்தலாம்.மங்காத்தா  வெற்றின் தாக்கம் தான் விஜயின் இறக்கம்.வேலாயுதம் வந்தால் இந்த நிலை மாறலாம்.இனி  வரும் படங்கள் மீண்டும் விஜயை நம்பர் ஒன்னாக்கும் என நம்புவோமாக!!  பூவே  உனக்காக, துள்ளாத மனமும் துள்ளும்,காதலுக்கு மரியாதை, லவ் டுடே என மென்மையான  படங்களில் நடித்து திருமலை,கில்லி,சிவகாசி,திருப்பாச்சி,போக்கிரி என அதிரடி நாயகனாக  ரசிகர்கள் மனதி இடம் பிடித்த விஜய், வில்லு, வேட்டைகாரன்,சுறா என தொடர் தோல்வி
படங்களில் நடித்து இப்போது நான்காவது இடத்தில் இருக்கின்றார். ஒரு காலத்திற்கு
அப்புறம் மக்களுக்கு சலிப்பு வரகூடிய படங்களில் நடித்து வெறுப்பை சம்பாதித்து
கொண்டார்.பின்னர் சுதாரித்து காவலன் என்ற ஹிட் படத்தை கொடுத்தார். இப்போது இவர்  நடித்து கொண்டிருக்கும் படங்கள் எல்லாமே மிகுந்த எதிபார்பிற்குறிய படங்கள் என்பதால்  மீண்டும் இவர் பழைய இடத்தை பிடிப்பார் என நம்புவோமாக.

நடித்ததில் பிடித்தது: பூவே உனக்காக,துள்ளாத மனமும் துள்ளும்,காதலுக்கு
மரியாதை,கில்லி,திருமலை,போக்கிரி,சிவகாசி,குஷி

2வது இடம் அஜித்:
மங்காத்தாவின் அதிரடி வெற்றி இவரை இரண்டாவது இடத்தில் உக்கார வைத்திருக்கின்றது.  முன்னனி நடிகர்களில் அதிகமான தோல்வி படங்களில் நடித்தது இவராகதான் இருக்க  முடியும்.அதையெல்லாம் தாண்டிய இவரது தன்னம்பிக்கைதான் இவரை இந்த இடத்தில்  உக்கார வைதிருக்கின்றது. நல்ல நடிகர் மட்டும் அல்ல. நல்ல மனிதரும் கூட.. தைரியசாலி  தனது ரசிகர்மன்றத்தை கலைத்தது அதற்கான சான்று.
இவரின் இந்த முடிவு வரவேற்க  கூடியது. இவர் அல்டிமேட் ஸ்டார் பட்டத்தை துறந்ததும் ஒரு பாராட்ட படகூடிய  விஷயம் இன்று இருக்க கூடிய முன்னனி இயக்குனர்களுக்கு முதல் பட சான்ஸ் கொடுத்து  திறையுலகில் அறிமுக படுத்திய பெருமை அஜிதையே சாரும்.

கதை தேர்வில் கூடுதல் கவனம் தேவை என்பதே என்னுடைய எண்ணம்.

சரண்.எ.ஆர்.முருகதாஸ், சூர்யா, இயக்குனர் விஜய், என பட்டியல் நீளும்.
நடித்ததில் பிடித்தது: காதல் மன்னன்,அமர்களம்,வரலாறு,வாலி,பில்லா, தினா,
போன்றவை

முதல் இடம் சூர்யா:

தமிழ் சினிமாவின் தற்போதய ஹாட் கேக்.. பாக்ஸ் ஆபிஸ் ஹீரோ..
உழைப்பு மற்றும் ஈடுபாடு கொண்ட இயக்குனர்களின் நடிகன். இவரை வைத்து படம்
எடுத்தவர்களே மீண்டும் இவரிடம் இணைந்து படம் எடுப்பது இவருடைய ஈடுபாட்டுக்கு
சான்று. வரிசையாக பாக்ஸ் ஆபிஸ் ஹிட் கொடுத்தவர். மாஸ் மற்றும் கிளாஸ் படங்களை மாறி  மாறி கொடுப்பவர்.

இயக்குனர் பாலாவினால் வாழ்வளிக்க பட்டவர்களில் இவரும் ஒருவர்.இவரின் ஆரம்பகால படங்கள் இவருக்கு பெயரெடுத்து தராத நிலையில் இயக்குனர் பாலாவின்
இயக்கத்தில் இவர் நடித்த நந்தா இவருக்கு திருப்புமுனையாக அமைந்தது.அதை சரியாக
பயன்படுத்திகொண்ட அவர் படிபடியாக முன்னனி நடிகராக உயர்ந்து இன்று நம்பர் 1 அந்தஸ்தை  எட்டியிருக்கின்றார்.காக்க காக்க, பேரழகன்,பிதாமகன்,கஜினி,வாரணம்
ஆயிரம்,அயன்,சிங்கம் ஆகியவை பெயர் சொல்லும் படங்களாக அமைந்தது.

எ.ஆர்.முருகதாஸ் இயக்கத்தில் இவர் நடித்து கொண்டிருக்கும் ஏழாம் அரிவு மிகுந்த எதிபார்பை கிளப்பி  இருக்கின்றது.

நடிப்பு,ஆக்சன்,ரொமான்ஸ் என அனைத்திலும் சிறந்தவர்.அகரம் பௌன்டேசன் மூலம் ஏழை  குழந்தைகளுக்கு கல்வி அறிவு கிடைக்க உதவி வருகின்றார்.

தனக்கு கிடைத்த மக்கள் ஆதரவை சரியான வகையில் சரியான திசையில் பயன்படுத்துவதாக  எனக்கு படுகின்றது.

(முதல் மூன்று இடங்களில் மாற்றம் எப்போது வேண்டுமானாலும் நிகழலாம்.அது அவர்களின்  பாக்ஸ் ஆபிஸ் வெற்றியை பொறுத்து)
எனக்கு தெரிந்த வரையில் நான் சரியான முறையில்  வரிசைபடுத்தி இருக்கிறேன் என நம்புகின்றேன். குறை இருந்தால் தயவுசெய்து தெரிய  படுத்தவும்.

குறிப்பு: டாப் 10 நடிகர்களில் அஜித்,விக்ரம் தவிர்த்து மற்ற நடிகர்கள் அனைவரும்
குடும்ப சபோர்ட் மூலம் சினிமா துறையில் நுழைந்தவர்கள்.

வந்தத வந்துடீங்க தயவுசெய்து உங்கள் ஓட்டையும் போட்டுட்டு போங்க….

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Mankatha Preview

Banner:	Cloud Nine Movies
Cast:	Ajith, Arjun, Trisha, Lakshmi Rai
Direction:	Venkat Prabhu
Production:	Dhayanithi Alagiri
Music:	Yuvan Shankar Raja

There is a lot of anticipation, there are a host of stars, then there is ‘Thala’ and this will be his 50th innings in Tamil!

Venkat Prabhu’s ‘Mankatha‘ has raised expectations by leaps and bounds among Ajith fans and film buffs. The film sees Ajith in a first-time ever full-fledged negative character, suggest reports closely associated with the film. Trisha will play female lead with Arjun chipping in as a CBI officer.

Andrea Jeremiah, Lakshmi Rai, Premji Amaran, Vaibhav, and Anjali will be seen essaying important roles. Even the smallest incident from the sets of ‘Mankatha’ has garnered a lot of media attention and we have updated you regarding many interesting aspects which took place on-location as well as while the shooting was going on.

A single from the music album ‘Vilayadu Mankatha…’ which released on the eve of Thala’s birthday was lapped up by Ajith and Yuvan fans alike and is topping music charts. Now the team has confirmed that the rest of the songs, nine tracks on the whole, will see a grand release on July 18!

The fans expectations are mounting, and with Yuvan scoring the music we can expect some chartbusting numbers on its way.

Ajith committed himself for a rigorous 90-day shooting schedule. The actor has done a lot of hard work for this film which is evident from the way some scenes have shaped up. The racer has also performed some hair-raising car chases without using a body-double (do you remember the 360 degree rotation he did on a Swift?).

Another aspect that has received a lot of attention is the look that ‘Thala’ will sport in this film. The actor has decided to have a natural hairdo sans any colour-the salt and pepper look which Ajith will be seen sporting in ‘Mankatha’ will urge many men to shun hair colour, reveals the director of the film.

The film has been shot extensively from Chennai, Mumbai (particularly Dharavi), Hyderabad, Bangkok, and Macau. Ajith wrapped up his final day shooting from Hyderabad.

Even before the release of ‘Mankatha’ there are some rumours doing the rounds that some producers are eager for a Hindi remake, though nothing regarding this has been confirmed yet.

The film which deals with the gambling game will have the IPL matches as the backdrop and is expected to hit theatres around the Independence Day weekend.

Image via Wikipedia

ICC Cricket World Cup 2011 – Crowning Glory for India

The 2011 Cricket World Cup tournament lit up our TV screens with high quality play, absolute rubbish, highlights, lowlights, pluck, timidity and a mass of other notables. Here are some of the things The Daily Maverick can praise, bewail and argue about.

Hosts winning

While we may be pretty serious fans of cricket, and sport in general, in South Africa, we are nowhere near as obsessive about it as India. The Indian team’s victory in the Final in front of their own blaring fans in their premier city is one of the most romantic scripts that could be written for the game. That they did it with a South African coach added to the gut-warming feeling we were permitted as the news channels broadcast one happy Indian fan after another.

Plucky cricket

Two teams at the tournament showed that talent isn’t the sole ingredient for success. New Zealand and Ireland both showed what a bit of grit, pressurising fielding and counter-attacking mentality can achieve. Ireland came from behind to beat England and chased down a massive Dutch score, and New Zealand knocked out South Africa when a betting man (who had never seen South Africa play in a knockout match before) would have put all of his money on the Proteas.

Umpiring

This was the first World Cup to feature the Umpire Decision Review System and has finally meant that we have statistical evidence to see which of the umpires are the best. In a show of initiative not seen since they last decided to disagree with whatever the BCCI said, the ICC actually removed the underperforming Asoka de Silva from important World Cup fixtures after he hashed a few games. Marais Erasmus, South Africa’s representative at the tournament, had a good run and, to our knowledge, only had one decision overturned.

Photo: Cricket fans celebrate in New Delhi, after India won the ICC Cricket World Cup final match against Sri Lanka, April 2, 2011. India sparked wild celebrations among their billion supporters after beating Sri Lanka by six wickets in the World Cup final at Mumbai’s Wankhede Stadium on Saturday. REUTERS/B Mathur.

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The Bad

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South Africa

It was a familiar sight to see South Africa return to Mzansi within a day of their first knockout fixture. After the farcical 1992 semi-final, the Proteas have managed to cock up the quarters in 1996, the tied semi in 1999, semis in 2009 and 2011. Add to that the fire-spittingly haemorrhaging 2003 “knockout” game against Sri Lanka and you’ll see why SA cricket fans have earned the right to government-subsidised anti-depressants.

The West Indies
We didn’t need a reminder, but we had confirmation that the swashbuckling days of swaggering batsmen and giant fast-bowlers are completely over. The West Indies folded meekly against South Africa, England, India and in the quarter-final against Pakistan. Watching Darren Sammy bowl his dibbly-dobblies at first change for the team that once produced skull- and toe-crunching bowlers like Andy Roberts, Malcolm Marshall, Joel Garner and Curtly Ambrose was worse than sad.

The Final toss

The toss circus in the Final was a good indication that the odd batsman walking does not a dignified sport make, nor does the presence of a match-referee actually serve a purpose in a cricket match. If the game was what we wanted it to be, MS Dhoni could have just asked Kumar Sangakkarra what he had called and we all could have moved on. Had the match referee, the same one who wanted Sri Lanka batting in the dark in the 2007 Final, paid any sort of attention this could also have been avoided.

Photo: New Zealand’s wicket keeper Brendon McCullum (L) runs out South Africa’s AB de Villiers (R) during their Cricket World Cup quarter-final match in Dhaka March 25, 2011. REUTERS/Adnan Abidi.

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The Unexpected

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England

England usually fall over flat and die in the group stages of World Cups or they do very well throughout. England qualified for the Final in 1987 and 1992 (losing to Australia and Pakistan respectively) but then crashed out in the group stage of the 1996, 1999 and 2003 tournaments. This year’s Cricket World Cup had an England which managed to lose to Ireland and Bangladesh, beat South Africa, scrape a win against the Netherlands and tie with India. The Empire XI showcased one of the best batsmen of the tournament (Jonathan Trott), the innings of the tournament (Andrew Strauss’ 158 vs India), the bowling spells of the tournament (Stuart Broad’s 4/15 vs South Africa) and yet England were sent packing by Sri Lanka in the quarter-finals.

Robin Peterson

We humbly admit we had no faith in Robin Peterson when he was selected in the SA World Cup squad. We thought he had only been brought as cover for Imran Tahir and Johan Botha, and he would only get a game if one of them did themselves in. How incredibly wrong we were. With sporting pitches, Peterson was South Africa’s most successful bowler in the tournament, picking up 15 wickets at an average of 15, and he only went for 4.25 an over. Incredible stuff. He was the second most penetrative spinner and the fourth highest wicket-taker overall.

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Team of the tournament

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Absolutely the most contentious part of any World Cup review, this is our team of the tournament:

• Sachin Tendulkar
• TM Dilshan
• Jonathan Trott
• Kumar Sangakkara (c)
• Yuvraj Singh
• Mahela Jayawardene
• Mohammad Hafeez
• Shahid Afridi
• Zaheer Khan
• Tim Southee
• Ray Price/Dale Steyn
• 12th man: AB de Villiers

Tendulkar and Dilshan are no-brainer selections. Trott makes it in on sheer weight of runs, which he scored at a strike rate of more than 80. Yuvraj was man of the tournament as his scoring was up there with the best and he chipped in with 15 wickets with what look like left-arm spinners to us, but are evidently scud-missiles when one is holding a bat at 20m.

Photo: Sri Lanka’s captain and wicketkeeper Kumar Sangakkara speaks with Muttiah Muralitharan, who is playing in his last Cricket World Cup, after their team beat New Zealand in their ICC Cricket World Cup 2011 semi-final match in Colombo March 29, 2011. REUTERS/Dinuka Liyanawatte.

We know we left out Dhoni, the World Cup winning captain who turned the Final around India’s way, but his batting throughout the tournament wasn’t so hot. Sangakkara’s blade was far more consistent. He is paired in the middle order with Mahela Jayawardene who scored two centuries in the World Cup, including that delicious knock in the Final.

Mohammad Hafeez sneaks in ahead of Ajantha Mandis because of his superb economy rate of 3.5 and his ability to bat. He isn’t a great batsman, and his constant opening says more about Pakistan’s depth than it does about his skills. If we picked Mendis then Afridi would come in at number seven and we think that’s a place too early. We prefer Hafeez there.

Ray Price also sneaked in because of his economy rate, but his selection would be dependent on the wicket. If it suited pace bowlers Dale Steyn would come in for him. Price is an incredible player. He bowls left-arm spin with the new ball for a team that gets walloped every time it plays someone decent. To have an economy rate below 3.5 in any context is superb. While representing Zimbabwe, it is super-human.

Tim Southee and Zaheer Khan were far and away the top fast bowlers of the tournament. Southee has found an extra bit of pace which, coupled with his bounce, snagged him 18 wickets in eight games. To put that into perspective, he never took more than three wickets in a match – underlying his consistency. Compare that to Malinga – if you take away his six-wicket haul against Kenya he only took seven wickets at 33.

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2015

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A decent tournament recipe has finally been found. The complicated Super 6 and Super 8 varieties were tossed out and a round-robin format resulting in knockouts was adopted. If any tinkering were done further, we would recommend removing two of the minnow teams – Canada, Kenya and the Netherlands didn’t add much to the tournament – and hastening up the group stage by playing more than one fixture a day. The group stage in this tournament took longer than the entire FIFA World Cup did last year.

Only four years to go until the next one… DM

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Welcome to ICC Cricket World Cup 2011

Image via Wikipedia

Welcome to Cricketworldcup2011.co.in – a complete website on the upcoming ICC Cricket World Cup 2011. This website would update you about ICC Cricket World Cup 2011 schedule, Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams.

Cricket is considered as a religion in India and people are crazy about Cricket, especially in this part of the world. With ICC Cricket World Cup 2011 coming in the year 2011, the game would rise to new levels. If you are a Cricket fan searching for ICC Cricket World Cup 2011 schedule, Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams, then you need not to go elsewhere as you will get information on Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams and ICC Cricket World Cup 2011 schedule and every other info about ICC Cricket World Cup 2011.

ICC Cricket World Cup 2011 will be the 10th World Cup. Prior to the ICC Cricket World Cup 2011, 9 Cricket World Cups have been organized by ICC. Australia have emerged winner on the most occasions – 4. Closely following is West Indies, who won the inaugural and the very next World Cup. All the Indian Subcontinent teams – India, Pakistan and Sri Lanka have won 1 World Cup each. Australia won in 1987, 1999, 2003 and 2007. West Indies won on 1975 (the first World Cup) and 1979. India won the World Cup in 1983, Pakistan won the World Cup in 1992 and Sri Lanka won in 1996.

ICC Cricket World Cup 2011 schedule and Cricket World Cup 2011 fixtures: ICC Cricket World Cup 2011 schedule and Cricket World Cup 2011 fixtures are given below on our website.

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<ilayer src=”http://www.s2d6.com/x/?x=i&z=i&v=2264922&r=%5BRANDOM%5D&k=%5BNETWORKID%5D&#8221; z-index=”0″ width=”160″ height=”600″>

Welcome to Cricketworldcup2011.co.in – a complete website on the upcoming ICC Cricket World Cup 2011. This website would update you about ICC Cricket World Cup 2011 schedule, Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams. Cricket is considered as a religion in India and people are crazy about Cricket, especially in this part of the world. With ICC Cricket World Cup 2011 coming in the year 2011, the game would rise to new levels. If you are a Cricket fan searching for ICC Cricket World Cup 2011 schedule, Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams, then you need not to go elsewhere as you will get information on Cricket World Cup 2011 fixtures, Cricket World Cup 2011 venue and Cricket World Cup 2011 teams and ICC Cricket World Cup 2011 schedule and every other info about ICC Cricket World Cup 2011. <ilayer src=”http://www.s2d6.com/x/?x=i&z=i&v=2264926&r=%5BRANDOM%5D&k=%5BNETWORKID%5D&#8221; z-index=”0″ width=”468″ height=”60″> ICC Cricket World Cup 2011 will be the 10th World Cup. Prior to the ICC Cricket World Cup 2011, 9 Cricket World Cups have been organized by ICC. Australia have emerged winner on the most occasions – 4. Closely following is West Indies, who won the inaugural and the very next World Cup. All the Indian Subcontinent teams – India, Pakistan and Sri Lanka have won 1 World Cup each. Australia won in 1987, 1999, 2003 and 2007. West Indies won on 1975 (the first World Cup) and 1979. India won the World Cup in 1983, Pakistan won the World Cup in 1992 and Sri Lanka won in 1996. ICC Cricket World Cup 2011 schedule and Cricket World Cup 2011 fixtures: ICC Cricket World Cup 2011 schedule and Cricket World Cup 2011 fixtures are given below on our website. <ilayer src=”http://www.s2d6.com/x/?x=i&z=i&v=2264928&r=%5BRANDOM%5D&k=%5BNETWORKID%5D&#8221; z-index=”0″ width=”468″ height=”60″> Match Date Teams Venue 1 19 Feb India vs Bangladesh Dhaka 2 20 Feb New Zealand vs Kenya Chennai 3 20 Feb Sri Lanka vs Canada Hambantota 4 21 Feb Australia vs Zimbabwe Ahmedabad 5 22 Feb England vs Netherlands Nagpur 6 23 Feb Pakistan vs Kenya Hambantota 7 24 Feb South Africa vs West Indies New Delhi 8 25 Feb Australia vs New Zealand Nagpur 9 25 Feb Bangladesh vs Ireland Dhaka 10 26 Feb Sri Lanka vs Pakistan Colombo 11 27 Feb India vs England Kolkata* 12 28 Feb West Indies vs Netherlands New Delhi 13 28 Feb Zimbabwe vs Canada Nagpur 14 1 Mar Sri Lanka vs Kenya Colombo 15 2 Mar England vs Ireland Bangalore 16 3 Mar South Africa vs Netherlands Mohali 17 3 Mar Pakistan vs Canada Colombo 18 4 Mar New Zealand vs Zimbabwe Ahmedabad 19 4 Mar Bangladesh vs West Indies Dhaka 20 5 Mar Sri Lanka vs Australia Colombo 21 6 Mar India vs Ireland Bangalore 22 6 Mar England vs South Africa Chennai 23 7 Mar Kenya vs Canada New Delhi 24 8 Mar Pakistan vs New Zealand Pallekelle 25 9 Mar India vs Netherlands New Delhi 26 10 Mar Sri Lanka vs Zimbabwe Pallekelle 27 11 Mar West Indies vs Ireland Mohali 28 11 Mar Bangladesh vs England Chittagong 29 12 Mar India vs South Africa Nagpur 30 13 Mar New Zealand vs Canada Mumbai 31 13 Mar Australia vs Kenya Bangalore 32 14 Mar Pakistan vs Zimbabwe Pallekelle 33 14 Mar Bangladesh vs Netherlands Chittagong 34 15 Mar South Africa vs Ireland Kolkata 35 16 Mar Australia vs Canada Bangalore 36 17 Mar England vs West Indies Chennai 37 18 Mar Sri Lanka vs New Zealand Mumbai 38 18 Mar Ireland vs Netherlands Kolkata 39 19 Mar Australia vs Pakistan Colombo 40 19 Mar Bangladesh vs South Africa Dhaka 41 20 Mar Zimbabwe vs Kenya Kolkata 42 20 Mar India vs West Indies Chennai 43 23 Mar First Quarterfinal Dhaka 44 24 Mar Second Quarterfinal Colombo 45 25 Mar Third Quarterfinal Dhaka 46 26 Mar Fourth Quarterfinal Ahmedabad 47 29 Mar First Semifinal Colombo 48 30 Mar Second Semifinal Mohali 49 02 Apr FINAL Mumbai *To be confirmed. Most probably it would be played in M Chinnaswamy Stadium, Bengaluru (Bangalore).

Once you bookmark this page you can view ICC Cricket World Cup 2011 schedule and Cricket World Cup 2011 fixtures anytime you like.

Cricket World Cup 2011 venue: With India as the main host of ICC Cricket World Cup 2011, Cricket World Cup 2011 venue includes stadiums of cities like Dhaka, Mumbai, Kolkata, Mohali, Colombo, Chennai, Nagpur, Ahmedabad, chittagong and Bangalore. Cricket World Cup 2011 venue also includes new venues like Pallekelle and Hambantota – both being in Sri Lanka.

Cricket World Cup 2011 teams: Cricket World Cup 2011 teams include 4 times winner Australia, 2 times winners West Indies, South Africa, India, Pakistan, Sri Lanka, Bangladesh, Zimbabwe, New Zealand, Netherlands, Canada, Ireland, England and Kenya. Groups in which Cricket World Cup 2011 teams are divided:

Group A – Australia, Pakistan, New Zealand, Sri Lanka, Zimbabwe, Canada and Kenya.

Group B – India, South Africa, England, Bangladesh, West Indies, Netherlands and Ireland.

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Rana is Rajini’s Next Flim Title!

Close sources of Superstar Rajini confirms that his next movie‘s title will be Rana. According to the sources, K S Ravikumar direct the movie and Rathnavel will handle the camera. Rahman is the music director of Rana.
Rajinikanth’s Next ‘RANA’ K. S. Ravikumar direction, Rajini playing triple role

International media house Eros International and Soundarya Rajinikanth’s Ocher Studios have joined hands to co-produce the next film of Super Star Rajinikanth to be directed by K. S. Ravikumar.

The film titled ‘RANA” is going to be another big multilingual that will be released in Tamil, Telugu and Hindi. Scheduled to go on floor in March this year, Rana will be a live action magnum opus with Rajini playing triple role.

The film will have Music by A R Rahman, Cinematography is by Ratnavelu, Editing is by Antony and Art directed by Rajeevan. The technical & special effects director will be Soundarya Rajinikanth and Charles Darby of Eyeqube Studios, renowned visual effects luminary and an Emmy award winner will be the visual effects supervisor on the film. The film is scheduled to release early 2012.

Speaking on the development, Sunil Lulla, Managing Director, Eros International Media Ltd said, “We are extremely excited to join hands with Tamil industry’s most popular super star Rajinikanth for Rana and this time audiences will be treated with their favourite actor donning a triple role in the film. Rana is going to be far different from any of the recent Rajni films, a complete live action magnum opus with loads of entertainment for his fans”.

Soundarya Rajinikanth, Director of Ocher Studios Private Limited added, “We are very pleased to announce this partnership with Eros International for RANA. We hope to make a film together that will live up to the huge expectations of the movie-goers and reach out to maximum audiences across the globe”.

Superstar Rajinikanth next film is going to be trilingual which is being made in Tamil, Telugu and Hindi versions. It has been titled as ‘Rana’.  K S Ravi Kumar who did super hit films like ‘Muthu’ and ‘Narasimha’ with Rajini has once again directing him. Bollywood sizzling actress Deepika Padukone is likely to be the leading lady of the film. 

As per sources, Rajinikanth will be seen in triple role. The film will move onto sets in the month of March. It is co-produced by Eros International and Ocher Studios, the production house run by Soundarya Rajinikanth.

There is a buzz that this film might be Rajinikanth’s animated film which is being directed jointly by Soundarya Rajinikanth and K S Ravikumar. However, Rana filmmakers have clarified that this is a new script which is going to direct by K S Ravi Kumar with huge buget.

Academy Award Winner A R Rehman will score the music for the film. Ratnavelu, who worked as camera man for sensational ‘Robo’ is working as cinematographer.

Rana is scheduled to release early in 2012.

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Bangalore fans get into a frenzy on Rajini’s birthday

Image via Wikipedia

Rajinikanth turned 61, and his fans left no stone unturned to make sure the superstar had a memorable birthday. People from different walks of life gathered near Seshadripuram, to have a day of fun, food and laughter.

As the icing on the 20kg cake was being laid, young children eagerly trooped into the bakery to catch a glimpse of the star-and-guitar-shaped pastry.

As evening dawned, fans went berserk. They burst crackers and had a merry time, celebrating the birth of their favourite star.

Young boys showed off their Rajinikanth tattoo, and said that they had got it done when they were much younger. “I am a huge fan of Rajnikanth and here’s the proof,” said a fan proudly showing his tattoo on his forearm.

The elderly fans, not wanting to be left out, showed their love for the superstar. Many women clung on to the Rajinikanth’s life-size portrait that was put up.

The superstar has been ruling the industry for over 25 years now, and has more than 50,000 fan clubs around the world. His fans throng cinema halls to catch the first-day, first- show of any of his movies.

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Soundarya Rajinikanth Wedding photos

Image via Wikipedia

South Indian Superstar RajiniKanth’s younger daughter Soundarya will get married to Ashwin Ramkukar in Chennai today . The couple were recently engaged. Ashwin is a Chennai based businessman.

The high profile wedding ceremony took place at Meyammai Hall in Chennai today. The videos and new images will be uploaded here as soon as they are available.

Many celebrities were present at the event and the big names are as follows, Aishwarya Bachchan, Tamil Nadu Chief Minister M.Karunanidhi and many more. Still many more guests are expected for this big wedding ceremony at Chennai.

It is reported that the fans of Rajinikath are requested to not attend for this ceremony. In an official statement Rajinikath said that though he wanted to invite all the fans to his daughter’s marriage, he was unable to do so because of space constraint and logistic reasons. But, he wanted their blessings for his daughter.

It is reported that the superstar gifted the new couple with a new apartment.
“Ashwin is too handsome”, said Rajini, as he gave a small talk on his would be son-in-law. A fun-filled Karaoke session added more colour to the evening.

Says a source, “Soundarya was looking her best in a dark blue salwar and the beautiful mehendi. When old Tamil hits were sung, Rajini joined in to sing ‘Adho andha paravai pola’, and made the event even livelier. A cocktail party was also thrown in for the guests.”

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Thiru speaks about Theeradha Vilayattu Pillai

Theeradha Vilayattu Pillai presented by Sun Pictures is all set for release. Director Thiru spoke to the media about this film. He said,” Theeradha Vilayattu Pillai is not a film for men alone. It is meant for all kind of audience including women. There will be fight like in all Vishal films. There will be romance. But the specialty is, this film is totally different for Vishal. I told him the story of this film only once. After that I met him only in the shooting spot. He was so confident about this film. The story is about the hero who thinks he should get all the best and good things in life. In order to select his future wife, Vishal meets lot of girls.

Finally he meets Neetu Chandra, Tanushree Dutta and Sarah Jain. How does he respond to these girls is narrated in a cool jolly way by me. Vishal is donning the role called Karthik. The three heroines of this film are popular Bollywood actresses. There is importance for all the three heroines. Neetu Chandra is acting in this film after Yaavarum Nalam. She is donning the role of a smart rich girl. Tanushree Dutta is donning the role of a sportswoman. She has acted in seven or eight films in Hindi. She was selected as Miss India 2004. Sarah Jain is donning the role of a college student. She who is currently acting with Abhishek Bachchan was selected as Miss India in the year 2007.

Only thing which we are hiding in this film is the role of Prakash Raj. This character will entice all the audience who watch this film. Santhanam, Mayilsamy and Sathyan join Vishal in the comedy sequences. Yuvan Shankar Raja has composed music in a special way for this film. Cinematographer Aravind Krishna, lyricists Vaali, Pa Vijay and all the technicians have labored hard for this film. I am really grateful to Sun Pictures and producer Vikram Krishna.”

More Review in Asal Moview

Ajith who went off the radar in his last ‘Aegan’, is back fit and fine in ‘Asal’. And perhaps to compensate the ‘Aegan’ disappointment, he hogs all the limelight giving audience a double delight in the movie.

Though the story is not new, it is all about style and substance and the film is loaded with rich visuals and breathtaking sequences, making it a quality outing.

When a hit pair comes together, the expectations always bound to be high. So when Ajith and director Saran, who have back to back successes under their belt (‘Kadhal Mannan’, ‘Amarkkalam’ and ‘Attagasam’) joined hands for ‘Asal’, there was an air of expectancy.

‘Asal’ not just rises up to that level, but also good in its own way especially because Ajith is energetic and Saran efficient. Their good vibes are evident on screen.

Sivaji Productions deserves all credit, for at a time when the film industry is facing some troubled times, a production house going all guns without anything in mind but to come out with a quality product, deserves applause.

Unlike their earlier outings, Saran and Ajith have consciously chosen not to load the movie with mass hero matters and commercial elements alone. The intelligence in ‘Asal’ lies in giving them in the under current as the story flows. At the same time, the film has not disappointed ‘Thala’ fans too as they have moments to rejoice in cinema halls.

Yuhi Sethu, who is known as a taut screenplay writer, has ensured that the script has no loose ends and there is no logical lapse. Of course, with Ajith’s name as co-director, it makes one sit up and watch. The actor seems to have involved himself in the filmmaking department knowing his strength and the taste of his ardent-fans.

Jeevanathan (Ajith) is an arms dealer in France who supplies artillery only to the government. His sons are Sam (Sampath Raj), Prasad (Rajeev Krishna) and Shiva (Ajith). Sam and Prasad sideline Shiva all the time.

When the elder sons decide to strike a deal to sell weapons to a terror group, trouble breaks out. In spite of their father’s resistance, they go ahead with their plans with the help of their uncle (Milind). Crossing swords with them is a Mumbai-based group led by Shetty (Kelly Dorji).

What starts from here is a battle between brothers, besides their war with the competitors. The swiftness in the screenplay begins here. It is from here the movie takes a roller-coaster ride.

There is Sara (Sameera Reddy), who works in Franch Embassy and falls for Ajith. The scene-stealer here is Sulabha (Bhavana). Her scenes especially on Valentine’s Day is rip-roaring fun. Meanwhile there is Daniel Dharmaraj (Suresh) a French cop who adds twits to the tale.

Though influence of Hollywood movies like ‘Payback’ could not be avoided especially in the second half, one can forget the fact since ‘Asal’ is a rich attempt that is bright and beautiful. The conviction in narration and character establishment (except that of villains) is praiseworthy. Yuhi Sethu as Don Samosa provides lighter moment in the movie.

It’s Ajith’s aura all through. He brings all the necessary tricks involved to make the double role look different and also appeal to the masses. As father, he is stylish and elegant. As the son, he is committed. Though the former comes for just 15 minutes on screen, he walks away with all applause. Ajith is willing and efficient. He has a raw passion and comes out shining in the double role. He has the right nuances to differentiate the two characters. After a brief gap, one could see the actor fresh and fine in dance sequences too. He carries the story on his broad shoulders. The film’s success is mainly due to him. If ‘Billa’ showed him oozing all stylish, ‘Asal’ showcases him on roles with style and substance.

Sameera Reddy is chirpy and vivacious. Happy that Kollywood has an actress who combines glamour with performance. It’s a welcome break for Bhavana. The actress understanding the responsibility on her seems to have taken the role in her stride and renders enough justice to it.

As usual, Prabhu (who is the producer too) has been breezy and impressive on his part, while the rest of the cast do have a part to play in the script.

Prashanth D Mishalae, a former associate of Nirav Shah, is simply the man of the moment. His lens has given the whole movie a fresh coat. Stylish and suave all through, the cinematography sets up the momentum. Especially those sequences in France with different tone and colour, is a revelation to Tamil cinema.

Movies on underworld or those about a don do always have some breathtaking stunt sequences and so does ‘Asal’. The stunt choreographers including William Ong, Kanal Kannan, Thalapathi Dinesh, Patrick Bruneton have done justice to opportunities provided to them.

Bharadwaj seems to have repeated the magic (if you are ready to forget the background score). The songs are pleasant to listen to. Watch out for ‘Em Thandhai…’ and ‘Tottadoing…’, they rock in the theatres.

To sum it up, Ajith, Saran and Bharadwaj have the struck the right chord again- for ‘Asal’ in an unpretentious entertainer. Apart from the storyline, everything seems to be original here.

The second verdict
=======================================================================================

The Ajith-Saran combination is at it again. Asal is in theaters and it is celebration time for all Ajith fans. The stakes are bigger this time with Asal being Ajith’s 49th film and it is also special because the titles of the film name Ajith as co-director of the movie. He is also credited for the story, screenplay and dialogues along with Saran and Yuhi Sethu. So, has the additional responsibility and control for Ajith worked well for Asal?

Asal is a story of feud between three brothers over property; two brothers (Sampath Kumar and Rajeev Krishna) on one side with their avarice for all the wealth with the righteous third trying to stop the family from breaking down. No marks for guessing who is the righteous one, who else but Ajith Kumar?! The feud that exists as an undercurrent in the presence of their father (Ajith again) turns ugly and personal after he passes away. It grows bigger with the two brothers joining in to elbow out Ajith. He graciously steps aside, only wanting to keep cordial relations. But, the two brothers are just not able to handle the huge wealth and the responsibility that it brings. Their wealth attracts trouble and it is up to Ajith to come back and save his brothers. Do things end there or does
Asal
the feud continue, does wealth disintegrate the family and how does Ajith conquer all the odds? Watch Asal to find out.

The first and most important thing about Asal is that it is an out and out Ajith movie. Not that anyone needs to be told this, it is an obvious fact. But, Asal is a full length celebration of Ajith’s persona, something his fans will absolutely adore. But, the film does have its weak points too. It is indeed sad that such a potential team ended up shooting a rather weak script. The main defect here is the characters sketch of the villains. They just don’t seem menacing or threatening enough to stand up to Ajith. It robs the excitement out of the confrontations making it look like cakewalks for Ajith. The only strong negative character (Kelly Dorji) is finished off prematurely which also stunts the growth of Ajith’s character. It is also pretty dampening that the much expected Ajith double act is only there for the first few minutes in the film. It should also be said that the opening sequences of the film do leave you a bit disappointed; the intros just don’t pack a punch. But, on the brighter side, the script does manage to throw a few surprises when you least expect them, like the one at the interval point. Saran has been successful in keeping the viewer guessing about certain things right until the end. The climax portions however should have been better. The finish looks literally forced into the script, with a fight inside a warehouse. There is not much room for romance. But, whatever little is there looks good. The silent tussle between Sameera and Bhavana over who gets Ajith is cute and Saran could have extended it a bit. One thing about the movie that could have been much better is the placement of songs; most of them look like appendages hanging loosely out of the main narrative.

As said above, this movie is all about Ajith and his persona. It would not be wrong to say that at many points it seems as if Ajith, the star, has been given more importance than the script itself. Trust Ajith to carry off a larger than life role with ease. He strides the screen with ease, having a presence that few others can boast of. He looks stylish in every frame; the hairstyle, the sideburns and the cigar sit well on him. In fact, Ajith’s presence is one of the main factors that stops one from getting bored. Sampath, Rajeev Krishna and Pradeep Rawat do their jobs as villains without too great an impact. As said above, their characters look like weak adversaries for Ajith. Sameera Reddy has a role of consequence in the movie and does pretty well, but there is no huge scope for performance. Bhavana looks cute in a role that demands only as much. She however impresses with her dance moves in the first part of the Dushyantha song. Yuhi Sethu tries hard to provide a few comic moments, succeeding partially on the rare occasion; his side kicks trying hard with a few gimmicks as well. Prabhu is a dignified presence.

The fact that this is a film made under Sivaji Productions can be sensed in the way the film has shaped up. The producer has left no stone unturned to make the film look rich, slick and sophisticated throughout. Be it the sets, the interiors, the locations or costumes, no expense has been spared. The story is set mainly in France, with a portion happening in Mumbai. The richness of the streets France has been transferred beautifully onto screen by Prashanth’s camera. The camerawork keeps the viewer visually pleased, partially compensating for flaws in the script. Action should have been better. Only the fight between Ajith and Kelly close to the interval stirs up excitement, it is plain on all other occasions. Music by Bharadwaj does not lend any strength to the movie, except Dushyantha and the BGM looks pretty unimaginative. Dialogues focus mostly on the word ‘Thala’ and the different ways in which it can be used. Imaginative for sure, but it could have been toned down a bit. Nevertheless, it does provide fans with an opportunity to cheer loudly.

Asal is a complete Ajith centric entertainer with lots of style and sophistication. Yes, the script is weak and there are other flaws too, but the movie does not leave you bored or exasperated. Ajith satisfies his fans, but Saran disappoints a bit with the way he has handled such a great team, better results were definitely on. Visually pleasing with about 2.5 hours of running time, Asal is will not have you yawning, nor will it have you asking for more.

Verdict: This Asal will gain no great interest

Asal: Movie Review

Asal - Ajith kumar

Ajith who went off the radar in his last ‘Aegan’, is back fit and fine in ‘Asal’. And perhaps to compensate the ‘Aegan’ disappointment, he hogs all the limelight giving audience a double delight in the movie.

Though the story is not new, it is all about style and substance and the film is loaded with rich visuals and breathtaking sequences, making it a quality outing.

When a hit pair comes together, the expectations always bound to be high. So when Ajith and director Saran, who have back to back successes under their belt (‘Kadhal Mannan’, ‘Amarkkalam’ and ‘Attagasam’) joined hands for ‘Asal’, there was an air of expectancy.

‘Asal’ not just rises up to that level, but also good in its own way especially because Ajith is energetic and Saran efficient. Their good vibes are evident on screen.

Sivaji Productions deserves all credit, for at a time when the film industry is facing some troubled times, a production house going all guns without anything in mind but to come out with a quality product, deserves applause.

Unlike their earlier outings, Saran and Ajith have consciously chosen not to load the movie with mass hero matters and commercial elements alone. The intelligence in ‘Asal’ lies in giving them in the under current as the story flows. At the same time, the film has not disappointed ‘Thala’ fans too as they have moments to rejoice in cinema halls.

Yuhi Sethu, who is known as a taut screenplay writer, has ensured that the script has no loose ends and there is no logical lapse. Of course, with Ajith’s name as co-director, it makes one sit up and watch. The actor seems to have involved himself in the filmmaking department knowing his strength and the taste of his ardent-fans.

Jeevanathan (Ajith) is an arms dealer in France who supplies artillery only to the government. His sons are Sam (Sampath Raj), Prasad (Rajeev Krishna) and Shiva (Ajith). Sam and Prasad sideline Shiva all the time.

When the elder sons decide to strike a deal to sell weapons to a terror group, trouble breaks out. In spite of their father’s resistance, they go ahead with their plans with the help of their uncle (Milind). Crossing swords with them is a Mumbai-based group led by Shetty (Kelly Dorji).

What starts from here is a battle between brothers, besides their war with the competitors. The swiftness in the screenplay begins here. It is from here the movie takes a roller-coaster ride.

There is Sara (Sameera Reddy), who works in Franch Embassy and falls for Ajith. The scene-stealer here is Sulabha (Bhavana). Her scenes especially on Valentine’s Day is rip-roaring fun. Meanwhile there is Daniel Dharmaraj (Suresh) a French cop who adds twits to the tale.

Though influence of Hollywood movies like ‘Payback’ could not be avoided especially in the second half, one can forget the fact since ‘Asal’ is a rich attempt that is bright and beautiful. The conviction in narration and character establishment (except that of villains) is praiseworthy. Yuhi Sethu as Don Samosa provides lighter moment in the movie.

It’s Ajith’s aura all through. He brings all the necessary tricks involved to make the double role look different and also appeal to the masses. As father, he is stylish and elegant. As the son, he is committed. Though the former comes for just 15 minutes on screen, he walks away with all applause. Ajith is willing and efficient. He has a raw passion and comes out shining in the double role. He has the right nuances to differentiate the two characters. After a brief gap, one could see the actor fresh and fine in dance sequences too. He carries the story on his broad shoulders. The film’s success is mainly due to him. If ‘Billa’ showed him oozing all stylish, ‘Asal’ showcases him on roles with style and substance.

Sameera Reddy is chirpy and vivacious. Happy that Kollywood has an actress who combines glamour with performance. It’s a welcome break for Bhavana. The actress understanding the responsibility on her seems to have taken the role in her stride and renders enough justice to it.

As usual, Prabhu (who is the producer too) has been breezy and impressive on his part, while the rest of the cast do have a part to play in the script.

Prashanth D Mishalae, a former associate of Nirav Shah, is simply the man of the moment. His lens has given the whole movie a fresh coat. Stylish and suave all through, the cinematography sets up the momentum. Especially those sequences in France with different tone and colour, is a revelation to Tamil cinema.

Movies on underworld or those about a don do always have some breathtaking stunt sequences and so does ‘Asal’. The stunt choreographers including William Ong, Kanal Kannan, Thalapathi Dinesh, Patrick Bruneton have done justice to opportunities provided to them.

Bharadwaj seems to have repeated the magic (if you are ready to forget the background score). The songs are pleasant to listen to. Watch out for ‘Em Thandhai…’ and ‘Tottadoing…’, they rock in the theatres.

To sum it up, Ajith, Saran and Bharadwaj have the struck the right chord again- for ‘Asal’ in an unpretentious entertainer. Apart from the storyline, everything seems to be original here.

Vettaikaaran Original Story Out

Vijay In Vettaikaaran

Banner – Sun Pictures
Star Cast – Ilayathalapathy Vijay, Anushka Shetty, Srihari, Salim Ghouse, Srinath, Manimehan Manimaran and Others…
Director – Babu Sivan
Lyrics – Kabilan, Vivega & Annamalai
Music Composer – Vijay Anthony
Label – Think Music

Year of Release – 2009

When it comes to Vijay its all about mass audiences there are immense curiosity among fans and audiences for his upcoming flick “Vettaikaaran” which is set to release on 18th December. Ilayathalapathy Vijay pairing actress Anushka for the first time with some rocking music numbers of Vijay Anthony. The stage is all set for Ilayathalapathy for another blockbuster as the movie is well shaped under the production of AVM. Sun Pictures who acquires Vijay Vettaikaran with continuous promos the movie is one of the most expected among the cine viewers. Now the latest is that the story of Vettaikaaran is out and among those rumormongers the story is like this :-

Vijay who belongs to a middle class Village men comes to Chennai for livelihood but there are some hidden secrets behind his arrival on Chennai and chose auto driver for his living; he stays at a location where baddies are surrounded and there will be always quarrel in the devils city. Actress Anushka intro is while she misses her college bus on the day of examination Ilayathalapathy helps her to reach the destination and on several occasions they met each other finally both fell in love. Vijay as an auto rickshaw driver who is kind

with all the people had plenty of good hearts among him. Once his co-auto-driver is being killed by the baddie the movie kick starts and followed by dashing dialogues and fights. Ilayathalapathy after this incident traps the baddie in almost all the way by giving bitter experience. The baddie wants to know about the whereabouts of Ilayathalapathy Vijay incidentally Vijay mother who comes in search of the destination lastly in hands of baddie and inquired about his son and she states that “Vettaikaaran” Hunt of baddies” and with this there will be a flashback of new look Police Vijay with encounter attacks. At last with some sentiments the baddie was hunted by Ilayathalapathy Vijay “Vettaikaaran”. As per the close source of the production unit that the screenplay is going to be the key and it will be newer experience with songs, actions and comedy etc… Stay tuned on tkada for more hot updates of Ilayathalapathy Vijay Vettaikaaran movies and much more.

VETTAIKAARAN MUSIC REVIEW

Music Director : Vijay Antony
Vocals : Ananthu, Mahesh Vinayakram, Krish, Suchitra, Bone Killer, Dinesh Kanagarathinam, Shankar Mahadevan, Surchith, Sangeetha Rajeswaran, Krishna Iyer, Shoba Sekar, Charulatha Mani, Shakthi Sree.
Lyrics : Kabilan, Viveka, Annamalai.

Produced by M. Balasubramanian and B. Gurunath Meyyappan and directed by B. Babu Sivan, this much-hyped film of Vijay could be released for Diwali. Vijay appears to play the role of an autorikshaw driver who wishes to ‘bring peace’ to the country. Anushka Shetty, Salim Ghouse, Vivek, Srihari and Srinath star along with him. Many racy action sequences in this movie appear to have been done boldly by Vijay himself, which could be a treat for his fans. The music for this film has been composed by Vijay Antony (whose ‘Ninaithale Inikkum’ has been doing pretty decently).

Puli Urumuthu—
Vocals: Ananthu, Mahesh Vinayakram.
Lyrics: Kabilan

A song full of hyperbolic expressions, obviously an action-packed number! Heavy use of Indian percussive instruments characterize this song which takes off in the madhyama shruti with shades of Mayamalavagowla raga .

The relentless pace of the song could add to the dramatic effect on screen.

Chinna Thamarai—
Vocals: Krish, Suchitra, English Rap: Bone Killer, Tamil Rap: Dinesh Kanagarathinam.
Lyrics: Viveka

Plenty of keyboard sounds, we have here. The rather strident rhythms somehow seem to rob the song of any melody. The Tamil rap bit sounds cool. The lyrics are crisp.

Naan Adiccha—
Vocals: Shankar Mahadevan.
Lyrics: Kabilan

Poor Shankar Mahadevan tries his very best to infuse a spark into this song (probably the title number) but to no avail. The beats, the lyrics and the sentiments expressed (akin to MGR songs) are pretty jaded. A wee bit of gibberish in between, in trademark Vijay Anthony style! Strictly for Vijay fans. The start, though, is pretty stylish, with the Karaharapriya notes going ‘sa ni sa,sa ni sa, sa ni dha ma pa—pa ma ga—sa’. And there is a cute bit by Vijay’s son Sanjay at the end!

Karikalan—
Vocals: Surchith, Sangeetha Rajeswaran.
Lyrics: Kabilan

A very cheerful, smile-worthy duet based on the Tilang raga, which may hit the charts soon. Lovely inputs from the strings and percussive instruments. Well sung too, especially Sangeetha. The impish background vocals hold up the folksy mood of the song well.

En Ucchi Mandai—
Vocals: Krishna Iyer, Shoba Sekar, Charulatha Mani, Shakthi Sree.
Lyrics: Annamalai

Another very typical Vijay number, with predictably fast rhythms and blasé lyrics. How many such songs must Vijay endure before he moves on?

Verdict:

Vijay Anthony appears to have been trapped by the image of actor Vijay (as a dancer) which seems to have narrowed his musical options. The songs, coming one after another, sound similar rhythm-wise. One sincerely hopes the film has been crafted well and does not sink like ‘Kuruvi’ or ‘Villu’, in which case, the songs could be forgotten in a trice.

Bollywood movie Blue preview

Blue Movie Preview

Characters:

Akshay Kumar: Aarav

Owner of Blue Shipping & Fisheries – a shipping company.

Aarav is easily one of the richest and the most eligible bachelors in the Bahamas.
Always ready for a dare, he hates the thought of losing. Because, for him, the best and most intoxicating high in the world is RISK!

He constantly badgers Sagar to search for the lost treasure. But is it out of insatiable greed, or some ulterior motive.

Sanjay Dutt: Sagar

Aarav’s closest friend and employee. Sagar is a straight-forward, simple man with a troubled past and a modest future. He’s not ambitious – either for money or fame – and content to lead a simple life. But he has a haunted past and his redemption lies in facing his demons, that lie hundreds of feet underwater.

Zayed Khan: Sam

With great confidence, comes a bit of arrogance. Self- assured Sam, Sagar’s estranged brother, is an urban named with a singular driving passion – bikes. His accidental involvement with a mafia drug lord, forces him to flee Bangkok and find asylum in his ancestral home, in the Bahamas.

Lara Dutta: Mona

Mona is a marine enthusiast. She is Sagar’s confidante and love. Her effervescence and compassion, compliment Sagar’s stoicism, perfectly.

Synopsis

Blue is set in the breath taking sun soaked white sand beaches of Bahamas. Sagar (Sanjay Dutt) is an excellent deep sea diver who dreams of getting his own new boat someday while his friend Aarav (Akshay Kumar) is a rich arrogant businessman, whose ego is much larger than the big boats that he owns. The conflict between these two sparring friends is the conflict between the rich and the poor, between the moral and the immoral, between greed and honour…

Caught in between these two is Sagar’s brother Sam (Zayed Khan) who has inadvertently managed to rankle a whole gang of mafia men. Now, these dangerous men are after him and Sagar is the only one who can help him. But to save his brother, Sagar has to wrestle with the ghost of his dead father… The only other person who is privy to Sagar’s dilemma is Mona (Lara Dutta), his girlfriend. She is afraid that the secret that lies within the restless waters could destroy all their lives.

The adrenaline rush that comes with Blue accelerates as each new chapter unfolds. It begins with a bare handed skirmish with sharks, moves into deep sea diving, reveals the secret of a forbidden treasure and a buried past, flirts with death at the hands of the mafia and goes straight into the treacherous waters again.

A team of the best underwater technicians from around the world – divers, cameramen, and stunt directors are working on the making of Blue to make it as real and as palpable as the medium of cinema can allow, so that the viewer feels engulfed in the entire experience.

Blue –

the color of the sky and the color of the seas…Underneath the shimmering beautiful inviting waters of the sea, lurks a secret which threatens to destroy one friend and save the other friend.